Carnival is a time of cultural exuberance. In the Low Countries, however, the masquerade has become a refuge for dominant groups to caricature the heritage and bodies of others. Where does this propensity come from? And can it be changed?
Quinsy Gario
writes and makes art. His work can be found in the Stedelijk Museum (‘In The Presence Of Absence’), the Bonnefantenmuseum (‘Say It Loud’) and in the volume ‘De Goede Immigrant’ (Dipsaus / Pluijm).
Articles
